![]() Portrait of Cleophea Krieg von Bellikon (1538) by Hans Asper Hans Asper, Public domain, via Wikimedia Commons The dog appears to be snarling at the cat sitting on her lap, while the cat seems bemused by the dog’s antics – swiping at the dog’s face with one of its paws. She has been portrayed with her pet cat and dog. Her bonnet is also an indication that she is most likely a married woman. This artwork depicts a wealthy young woman, which is evident in the jewelry and clothing she is wearing. Portrait of Cleophea Krieg von Bellikon (1538) by Hans Asper Artist The cat runs away from the apparition, its sense of curiosity overridden by its fear. Mary is seen on the left staring at the viewer and lifting her hands in amazement. His right arm is gesturing to God, who has appeared in the form of a cloud and is blessing Mary. Recanati Annunciation (1534) by Lorenzo Lotto Lorenzo Lotto, Public domain, via Wikimedia Commons The image portrays a bedroom in which an Annunciation occurs in an unexpected manner: the angel appears on the right, bearing a white flower. The baldachin bed, the shelf with a miniature still life painting, the small window, the hourglass, and a terrified cat running all demonstrate the influence of Northern European art. Lotto employed expressive motions and somewhat undersized heads in his style. Museo Civico Villa Colloredo Mels, Recanati, Italy Recanati Annunciation (1534) by Lorenzo Lotto Artist 1525) by Antonio D’Ubertino Verdi Francesco Ubertini called Bacchiacca, Public domain, via Wikimedia Commons Portrait of a Young Lady Holding a Cat (c. While the young lady stares directly at the viewer, the cat seems to be characteristically preoccupied with something else in the room. Unlike many cat paintings from this period, this cat has been portrayed in a realistic and life-like manner. ![]() ![]() This painting features an affluent-looking young woman holding a cat. It is believed that he came from a family that comprised around eight artists. 1525) by Antonio D’Ubertino Verdi ArtistĪntonio D’Ubertino Verdi was a Renaissance Italian painter whose artwork is characterized by the Florentine Mannerist style. Not all Medieval and Renaissance cat paintings were weird-looking, though, and many renowned artists also produced Medieval and Renaissance paintings of cats. That’s probably why cats received such odd artistic treatment. During the Dark Ages, cats were also seen as symbols of witchcraft and Paganism by the Catholic Church, which did little to improve their popularity with the masses. According to one source, they will go to whoever feeds them food. Cats, unlike dogs, cannot be taught to be obedient and loyal. According to experts, cats are pretty wild. The Bachelor Party (1939) by Louis Wain Louis Wain, Public domain, via Wikimedia CommonsĬats though? Absolutely not. Dogs, for instance, were praised for being devoted friends who were bred to defend the home and aid in hunting. Even though animals were thought to be unintelligent entities, they were bestowed human aspects and attributes. But why were Renaissance and Medieval paintings of cats so strange? Animals were seen to be the mirror of human culture throughout the Medieval period. The internet is full of memes comprising lists of Medieval and Renaissance paintings of cats that highlight how strangely cats were portrayed during that period. However, one quick glance at these Renaissance and Medieval cat paintings makes one wonder if some of the artists had even seen a cat before. Even during this massive transitional period in human civilization, artists were compelled to add cats to their paintings. This was followed by the age of artistic revolution and the enlightenment known as the Renaissance period. The Medieval period occurred during what is known as the Dark Ages.
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